2024 – Ría, everything remembered is dear, everything remembered is there, Works by Lihie Talmor and Ruti Talmor, Coral Gables Museum, Florida, USA (Prints)
2023 - La Imágen Herida, Review of Lihie Talmor's work 2021-2023, La Hacienda la Trinidad Cultural Center, Caracas, Venezuela
2023 - La Mirada que Arde, Graphic Art of Lihie Talmor, ACA - Art Concept Alternative, Santander, Cantabría, Spain
2019 - Footnote, First prize winner show at the Remarque/New Grounds Print Workshop, Albuquerque, New Mexico, USA
2019 - Transient Microcosm, nEUROPA Gallery, Dresden, Germany (Photographs)
2016 - Cartographic Anxieties, Mendoza Foundation Centre, Caracas, Venezuela (Prints)
2015 - Holger Wendland:The Marble Stairs, Lihie Talmor:The Inconceivable Simply Is, Fine Arts Museum, Czernowitz, Ukraine (Drawings and lithographs)
2015 - Intimate Place, Public Space, Verdi/Verd Gallery, Barcelona, Spain (Prints)
2012-14 - MAKOM: In Quest of Place: Memories of a Nomad, a travelling show: Caracas-Valencia-Maracaibo, Venezuela (Prints and photographs)
2012 - Mirar el Olvido, CAF Gallery, Development Bank of Latin America, with French poet and photographer Anne Louyot and Brazilian printmaker Kika Levy (Artists’ Book, prints and photographs)
2009 - Traces of Place, Templarios Gallery, Caracas, Venezuela (prints, sculptures and installation)
2008 - Listening to the Shadows, Seeing Them, Kern Museum, Caracas, Venezuela (prints and sculptures)
2006 - Neither Inside nor Outside, Solar Gallery, East Hampton, New York, USA (prints and video)
2006 - Dafna Talmor: Obstructed Views (photographs), Lihie Talmor: Confines (prints and video), Pagés Espai D’Art Gallery, Barcelona, Spain
2005 - Password, Gallery Twenty Four, Tel Aviv, Israel (prints)
2004 - I was there, but you won’t see me, Sephardic Heritage Museum at the Blasini Gallery, Caracas, Venezuela: memories of a passage to the concentration camp Auschwitz-Birkenau, and to Poland more broadly, as part of a group of Jewish Israelis, Muslim Palestinians, and Christian Palestinians. (prints, photographs and video)
2001 - Simcha Shirman and Lihie Talmor, Mendoza Foundation Center, Caracas, Venezuela, with Israeli photographer Simcha Shirman (prints and sculptures)
2000 - Grand Prix exhibition, Museum of Contemporary Art, Ibiza, Spain (prints)
1999 - A Perfect Staging for a Happy Childhood, Antea, a Woman’s Artspace, Jerusalem, Israel (prints)
1998 - Lihie Talmor - Sculpting Iron, Tel Aviv Performing Art Centre, Tel Aviv, Israel
1996 - The Creativity of Evil, Sofía Imber Museum of Contemporary Art, Caracas, Venezuela (sculptures and installation)
1994 - Aguariacuar, The Departure, Sextante Gallery, Bogotá, Colombia; Sofia Imber Museum of Contemporary Art, Caracas, Venezuela (prints and Artist’ Book)
1993 - Lihie Talmor: Works on Paper, Iron Sculptures, The Artists' House Gallery, Jerusalem, Israel (prints and sculptures)
1992 - 93 - Horowitz the story teller: Cahiers de Voyage, Mishkenot Shaananim, Jerusalem, Israel; Studio Tommaseo, Trieste, Italy (prints and sculptures)
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
It is not difficult to see in Lihie Talmor's work the expression of a sensitivity in its utmost development, that the artist knows how to communicate assertively
There exist an overriding need to distinguish between the ephemeral and the essential; the ephemeral wounds, the essential yet endures; until the day when the ephemeral will have corroded the essential, will have destroyed its very nucleus, its hard nucleus…
In a country where oblivion is who gathers the remains of the city, where the blanks of collective memory decide about the changes in power and the markets, the work of LIHIE TALMOR functions as a film of the subversive unconscious.
