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The Proper Distance

s it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?

Wittgenstein claims that the structure of language reflects the structure of reality, and is the key that allows us to say something meaningful about the world. The word functions as a signifying element only in the context of the phrase, and the phrase through its structure reflects the image of the components of the world.

There I leave the great philosopher, and beg his forgiveness for this simplification of his thought. I use it to state my passion for seeing, living and expressing reality in a way that is simultaneously fluid and fragmented. Just beyond the moment of perception of a structured experience, deconstruction lies in waiting, unveiling details for the next one.

Is this the other face of the experience?

Lihie Talmor

In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces

s it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?

In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces

s it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?

It is not difficult to see in Lihie Talmor's work the expression of a sensitivity in its utmost development, that the artist knows how to communicate assertively

There exist an overriding need to distinguish between the ephemeral and the essential; the ephemeral wounds, the essential yet endures; until the day when the ephemeral will have corroded the essential, will have destroyed its very nucleus, its hard nucleus…

In a country where oblivion is who gathers the remains of the city, where the blanks of collective memory decide about the changes in power and the markets, the work of LIHIE TALMOR functions as a film of the subversive unconscious.

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