Sofia Imber Museum of Contemporary Art, Caracas, Venezuela
National Art Gallery Caracas, Venezuela
IVIC, Venezuelan Institute for Scientific Research, Altos de Pipe, Miranda,Venezuela
Coro Museum of art, Coro, Falcon, Venezuela
Cisneros Foundation, Caracas, Venezuela and New York, USA
Institute of Culture, San Juan, Puerto Rico
Wilfredo Lam Centre; The Americas House, La Habana, Cuba
The New York Public Library, New York, USAThe National Library, Madrid, Spain
The National Print Museum, Mexico City, Mexico
Hamguchi Yozo Museum, Yamasa Collection Tokyo, Japan
Sakima Art Museum, Okinawa, Japan
Central Academy of Fine Art, Beijing, China
The Gottesman Etching Centre, Cabri, Israel
The Jerusalem Print Workshop, Jerusalem, Israel
International Print Triennial Society, Cracow, Poland
Frans Masereel Centrum, Kasterlee, Belgium
University of Montevallo, Alabama, USA
Collection Mini Print Cantabria, Santander, Spain
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
It is not difficult to see in Lihie Talmor's work the expression of a sensitivity in its utmost development, that the artist knows how to communicate assertively
There exist an overriding need to distinguish between the ephemeral and the essential; the ephemeral wounds, the essential yet endures; until the day when the ephemeral will have corroded the essential, will have destroyed its very nucleus, its hard nucleus…
In a country where oblivion is who gathers the remains of the city, where the blanks of collective memory decide about the changes in power and the markets, the work of LIHIE TALMOR functions as a film of the subversive unconscious.
