2024 (invited), 2022, 2020, 2018, 2016 - 14th and 12th International Biennial of Miniature Art in Gornji Milanovac, Serbia
2023, 2022, 2021, 2020, 2019 - International Mini Print Cantabría, The Sea & the Lighthouses, Faro Cabo Mayor Art Center, Santander, Cantabria, Spain
2023 - CREADORAS, Contemporary Art Competition, Galería de Arte Nacional, Caracas, Venezuela
2023 - International Biennial of Miniature Art Graphics and Drawings, KIC- Cultural Center, Bitola, Macedonia (invited artist)
2022 - Impact 12, Multidisciplinary Printmaking Conference, Centre for Print Research, University of the West England, Bristol. UK
2022 - IX Edition, Encuentro Internacional de la Gráfica Emergente, La Terminal, FICC, Zorrozaurre, Bilbalo, Spain
2022 - Authentic Marks, 4th Annual International Miniature Printmaking Exhibition, Dubai, United Arab Emirates
2022 - Woodwalk Gallery’s Magical Mysterious Tour on line show, Woodwalk Gallery, Egg Harbor, Wisconsin, USA
2021 - La Trayectoria Inédita, Mirar al mundo de nuevo. Hacienda La Trinidadd, Caracas, Venezuela
2021 - Visions of Nature, Contemporary views in Alternative Photographic Techniqes. Light Art Space, Silver City, NM, USA
2021 - Framed: Shadow and Light, Black Box gallery, Portland, Oregon
2021 - International Triennial of Contemporary Prints, Fine Arts Museum, Liège, Belgium
2021 - International Print Triennial, Cracow, Poland
2020 - 4th International Printmaking Biennial, Cacak, Serbia
2020, 2018, 2016, 2014 - VI, V and IV International Print Biennial Aguafuerte, Valladolid, Spain
2019 - El cálculo de las proporciones: percepción-pensamiento-imágen. Andrés Bello Catholic Cultural Center University, Caracas, Venezuela
2018 - Open Portfolio at IMPACT 10, International Interdisciplinary Printmaking Encounter, Santander, Spain
2018 - International Print Triennial, Cracow, Poland
2018 - 25 Maximo Ramos International Award for Graphic Arts, Ferrol, Spain
2018, 2015 - Tama Art University International Mini-Print Triennial, Tokyo, Japan
2018, 2016 - International Biennial of Contemporary Prints, Fine Arts Museum, Liège, Belgium
2017 - 5th Annual International Juried Print Exhibition, Remarque/New Grounds Print Workshop, Albuquerque, New Mexico, USA
2017, 2015, 2013 - The III, II, and I National Drawing and Printmaking Biennial, GDEV, Valencia, Venezuela
2016, 2007 - The 8th and 4th Douro International Printmaking Biennial of Douro, Alijo, Portugal
2015 - III International Exhibition-Contest of Small Graphic Forms and Exlibris, Brest Regional Museum, Belarus
2015 - 67 Arturo Michelena Biennial, Valencia, Venezuela
2015 - II Global Print, Cultural Centre, Alijo, Portugal
2013 - International Printmaking Prize, FIG Bilbao, Spain
2013 - International Print Net, Cracow, Falun, Sweden
2011 - Northern Print: International Print Biennial, Newcastle, UK
2011, 2007, 2005, 2001 - Trois-Rivieres International Contemporary Print Biennial, Canada
2010 - International Print Net, Cracow, Oldenburg, Vienna, Oldenburg, Germany and Vienna, Austria
2009 - Yozo Hamguchi 100th Anniversary International Print Competition and Exhibition, Hamguchi Yozo Museum ,Tokyo, Japan
2009 - VI Novosibirsk Graphic Art Biennial; State Museum of Novosibirsk, Russia
2008 - Edmonton Print International 2008, Alberta, Canada
2008 - 13th International Biennial Print Exhibition, R.O.C.; Fine Arts Museum Taiwan R.O.C.
2007 - Prints Tokyo, International Print Exhibition; Sakima Arts Museum, Okinawa, Japan
2007, 2005 - 7th and 6th National Biennial of Plastic Arts of Puerto La Cruz; Puerto La Cruz, Gallery of Modern Art , Venezuela
2006 - 6th Art and Science Salon; Simón Bolivar University, Caracas, Venezuela
2000, 1997 - The 6th and 5th International Triennial of Majdanek, State Museum of Majdanek, Lublin, Poland
2000, 1993 - The Sapporo International Printmaking Biennial, Sapporo, Japan
1999 ,1996 - The International Exhibition of Graphic Art, Frechen, Germany
1993 - The International Award for Printmaking, Biella, Italy
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
It is not difficult to see in Lihie Talmor's work the expression of a sensitivity in its utmost development, that the artist knows how to communicate assertively
There exist an overriding need to distinguish between the ephemeral and the essential; the ephemeral wounds, the essential yet endures; until the day when the ephemeral will have corroded the essential, will have destroyed its very nucleus, its hard nucleus…
In a country where oblivion is who gathers the remains of the city, where the blanks of collective memory decide about the changes in power and the markets, the work of LIHIE TALMOR functions as a film of the subversive unconscious.
