2022 - Softness and Hardness: Prints from the Gottsman Etching Center, Haifa Museum of art
2022 - Petit Format de Papier Biennial, Centre Culturel Action Sud, Nismes; Musée de L’Ardenne, Charleville Mézières
2022 – Erd(reich) – (rich)Soil, International Photography Exhibition, Gallery ART FACTORY FLOX, Kirschau, Germany
2022 - HORA, a group exhibition of Israeli artists, Museo Civico di Noto, Catania, Sicily
2020 - Over there is over here, Private homes in Umm el-Fahem, Hosting art exhibitions, Umm el-Fahem, Israel
2020 - Wall, The Gottesman Etching Center, Cabri, Israel
2020 - NOTES, Artists play with music sheets, Rubin Museum, Tel Aviv, Israel
2018 - Exercises with Stones, Alte Feurvache Loschwitz Gallery, Dresden, Germany
2017 - New from the Press, The Gottesman Etching Center, Cabri, Israel
2017-2016 - Unfolding, Latin American and Caribbean Graphic Art, a travelling exhibition organized by CAFA, Central Academy of Fine Art, Guanlan, Beijing, China
2016 - KCPA Southern Hemisphere International Printmaking Exhibition, Alive Jincheon Printmaking Museum, Seoul, South Korea
2015 - Transformed Moments of Origin, Ivano-Frankivsk Centre of Contemporary Art, Ukraine
2013 - Ethics, Aesthetics, Politics, GBG Gallery, Caracas, Venezuela
2008 - The Last Book, Travelling International Project, curated by Luis Camnitzer
2008 - 2008/Culturas, Exhibition of Intercultural Dialogue of Short films, Music, photography, Video Art and Net Art, State Society for Cultural Commemoration, Ministry of Culture, Madrid, Spain
2005 – 06 - White Coffee: Culture, Migration and Identity, Fine Arts Museum, Caracas, Venezuela
2005 - Caracas Flash, Video Spaces 2005 Edition, CorpGroup Tower, Caracas, Venezuela
2005 - 5th Ile de France International Print Biennial, Versailles, France
2005 - ExxonMobil Salon, Fine Arts Museum, Caracas, Venezuela
2004 - 05 - Impressions II, Artist’ House Gallery, Jerusalem, Israel
2004 - Intimate Sculptures for the Public Space, Banco Provincial Foundation, Caracas, Venezuela
2002 - Four Directions, One Encounter, Banco Industrial Foundation, Caracas, Venezuela; Fragments of Universe, CorpGroup Center, Caracas, Venezuela
1997 - Artist, Mazah, Idea, Museum of Human Sciences and the Environment, Petah Tikva, Israel
1997, 1994 - The 6th and 5th Habana Biennial, La Habana, Cuba
1997 - Box, Israel Museum, Jerusalem, Israel
1995 - The Artist Designs his Own Gravestone, The Artist’s House Gallery, Jerusalem, Israel; To be or not…, Rebecca Crown Gallery, The Jerusalem Centre for the Performing Arts, Jerusalem, Israel
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
It is not difficult to see in Lihie Talmor's work the expression of a sensitivity in its utmost development, that the artist knows how to communicate assertively
There exist an overriding need to distinguish between the ephemeral and the essential; the ephemeral wounds, the essential yet endures; until the day when the ephemeral will have corroded the essential, will have destroyed its very nucleus, its hard nucleus…
In a country where oblivion is who gathers the remains of the city, where the blanks of collective memory decide about the changes in power and the markets, the work of LIHIE TALMOR functions as a film of the subversive unconscious.
