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THE LAST BOOK

FE DE ERRANTES
17 poets of the world
Compilation:Edda Armas and Lihie Talmor
Poets: Jacqueline Goldberg, Fabio Morábito, Reynaldo Pérez Só, Horacio Costa, Piedad Bonnet, Rodolfo Häsler, Carmen Villoro, Edda Armas, Françoise Roy, Pedro Serrano, Rami Saari, Sonia Chocrón, Luis Enrique Belmonte, Carmen Valle, Vicent Berenguer, Noelia Frómeta Machado y Antonio Deltoro
Translators:Horacio Costa, Lihie Talmor, Javier De La Puerta, Esther Solay-Levy, Florinda Goldberg, Raquel García Lozano and Eduard J. Verger
Etchings:Lihie Talmor and Juan Manuel De La Rosa
2006

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Graphic Design of the collection and cover: Joanna Gutiérrez
Lay out: Ediplus producción, C.A.
Edited by: Roberto Martínez
Bachrich
Revision of Portuguese: Eduardo Cobos
Revision of Catalan: Lorena Bou Linhares
Printed and bound
by: Editorial Arte

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Editorial CEC, SA
RIF: J-30448800-9

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THE LAST BOOK

In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces

s it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?

In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces

s it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?

It is not difficult to see in Lihie Talmor's work the expression of a sensitivity in its utmost development, that the artist knows how to communicate assertively

There exist an overriding need to distinguish between the ephemeral and the essential; the ephemeral wounds, the essential yet endures; until the day when the ephemeral will have corroded the essential, will have destroyed its very nucleus, its hard nucleus…

In a country where oblivion is who gathers the remains of the city, where the blanks of collective memory decide about the changes in power and the markets, the work of LIHIE TALMOR functions as a film of the subversive unconscious.

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