2024 - Special recognition for her constant participation in the Luisa Palacios Graphic Miniarures Biennial, her outstanding career, graphic mastery and prolific work2024 -
2024 - Grand Prix, International Print Triennial, Cracow, Poland
2023 - Artista Consagrada, AICA, Art Critics International Association, Venzuelan Chapter
2022 - First prize, Woodwalk Gallery’s Magical Mysterious Tour on line show, Woodwalk Gallery, Egg Harbor, Wisconsin, USA
2022 - Finalist, IX Edition, Encuentro Internacional de la Gráfica Emergente, La Terminal, FICC, Zorrozaurre, Bilbalo, Spain
2022 - 1º Mention, V Miniprint Cantabría, The Sea & the Lighthouses, Faro Cabo Mayor Art Center, Santander, Cantabria, Spain
2021 - Special Prize MTG 2021, founded by the Rector of the Academy of Fine Arts in Warsaw
2017 - First Prize, at the 5th Annual International Juried Print Exhibition, Remarque/New Grounds Print Workshop, Albuquerque, New Mexico, USA
2016 - First Prize in the category of Photography, International Biennial of Miniature Art, Gornji Milanovac, Serbia
2016 - Mention of the Jury, International Biennial of Contemporary Prints, Liège. Belgium
2015 - Gran Prix, at the 67 Biennial Arturo Michelena, Valencia, Venezuela
2009 - Second Prize, at the Yozo Hamguchi 100th Anniversary International Print Competition and Exhibition, Hamguchi Yozo Museum, Tokyo, Japan
2006 - First Prize, 6th Art and Science Salon, Simón Bolivar University, Caracas, Venezuela
2000 - First Prize, Caracas International Printmaking Biennial, Caracas, Venezuela
1998 - First Prize, at the Ibizagrafik,'98 Biennial, Ibiza, Spain
1998 - Honorary Mention, San Juan Biennial of Latin American and Caribbean Prints, San Juan, Puerto Rico
1997 - Grand Prix, at the Aragua National Art Salon, Museum of Modern Art, Maracay,,Venezuela
1995 - Andrés Pérez Mujica Prize for Sculpture, Arturo Michelena Biennial, Ateneo de Valencia, Valencia, Venezuela
1993 - Special prize of the Jury at the International Award for Printmaking, Biella, Italy
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
In recent years, the work of Lihie Talmor has been like a progressive conquest of artistic space: from the two-dimensional plane of the etched page, with its illusionary spaces
Is it necessary to have the proper distance so as to see the full picture? And how does one know what the proper distance is?
It is not difficult to see in Lihie Talmor's work the expression of a sensitivity in its utmost development, that the artist knows how to communicate assertively
There exist an overriding need to distinguish between the ephemeral and the essential; the ephemeral wounds, the essential yet endures; until the day when the ephemeral will have corroded the essential, will have destroyed its very nucleus, its hard nucleus…
In a country where oblivion is who gathers the remains of the city, where the blanks of collective memory decide about the changes in power and the markets, the work of LIHIE TALMOR functions as a film of the subversive unconscious.
